ANOTHER Year

I've been away from this site and my other site for a long time. The joy had left me. The joy had left almost everything in life as I struggled to be a full time caregiver to my father. In the end he lost the battle. I lost the battle. I am empty. I miss his laugh.

Being a caregiver full time means putting yourself on hold. There is little time for self. It's a good lesson, but a difficult one. You don't get paid for being a caregiver so money becomes an additional stress. I looked at photos on ebay, but I didn't buy. There was no time (or money) to go to antique stores, flea markets, or estate sales. But friends, good friends, and a stranger were very kind to me.

The photo below was from a very kind woman named Brenda. She sent it to me because of the Hartsook connection. For that reason I start up again by reposting my original Hartsook post that enabled her to find me.

I quite like this young man. Is he younger or older than he looks? Is he just on the cusp of being an adult and has the clothes he feels make him look older? Or is he someone who goes through life always looking younger than his years? I think he should have been very proud of his portrait.

You'll notice this shot was taken in Seattle, not San Francisco.

And thank you Brenda!

And now, the original Hartsook post from May 7, 2012

These images came from my friend Bert’s collection. I don’t know where he found them, but I think they’re quite a nice find.

This is Edward in 1920. That's all I know about this young man. This lock of hair was tucked in with the two photos. I have not found anything online about the Nelson Studio in Santa Rosa, California.


Click on image to see it larger.

This second photo was taken at a Hartsook studio.



Click on either image to see it larger.

The following information about the photographer Fred Hartsook is from Wikipedia.

Fred Hartsook (26 October 1876 – 30 September 1930) was an American photographer and owner of a California studio chain described as "the largest photographic business in the world" at the time,[1] who counted Henry Ford, Charles Lindbergh, Mary Pickford, and sitting President Woodrow Wilson among his celebrity clients. He later became the owner of the Hartsook Inn, a resort in Humboldt County, and two ranches in Southern California on which he reared prized Holstein cattle. Hartsook was married to Bess Hesby, queen of the San Francisco Pan-Pacific Exposition of 1915.

Fred Hartsook was born on 26 October 1876 in Marion, Indiana to John Hartsook and Abbie, née Gorham. He was born into a family of photographers and studio owners, his father and two uncles were all successful in the business and his grandfather had been the first photographer to open a studio in Virginia. According to a 1921 profile by John S. McGroarty, "the first Hartsooks [took] up the profession when it was in the infancy of development with the old daguerrotype and the first wet plate processes."

After graduating from high school at age sixteen Hartsook was apprenticed by his uncle as a civil engineer, but spent most of his time in his father's studio. He moved to Salt Lake City, Utah and married Florence Newcomb, 12 September 1901. Flossie came from a family of photographers. She operated her own studio in Vernal, Utah in 1906. Flossie served as Fred's assistant for their traveling photographic studio throughout the Utah territory. They had one daughter; Frances born 25 June 1902. Fred and family then set out to establish themselves in California, arriving sometime after 1906. Initially, Hartsook operated as an "itinerant shutterbug, [wandering] all over the state, his team of mules pulling a homemade darkroom." Later he opened two studios, in Santa Ana and Santa Barbara, but eventually closed them in order to open a studio on 636 South Broadway in Los Angeles.

Hartsook's success as a photographer and studio owner allowed him to expand into other cities along the Pacific Coast, including San Francisco and Oakland. In 1921, McGroarty gives the number of studios as 20 and describes it as the "largest photographic business in the world". Bill Robertson, director of the Los Angeles Bureau of Street Services, cited by KPCC in 2009, mentions 30 studios.

Even if the bulk of the business came from everyday studio portraiture, Hartsook gained prominence through his celebrity clients, which included silent era Hollywood actors such as Mary Pickford, Lillian Gish, and Carlyle Blackwell, other celebrities such as pilot Charles Lindbergh, entrepreneur Henry Ford, and opera singer Geraldine Farrar, and politicians like House leaders Champ Clark and Joseph Gurney Cannon. McGroarty describes a 40-minute sitting with President Woodrow Wilson in September 1919 as "the first formal sitting since Mr. Wilson became president." Also in 1919, Fred Hartsook married Bess Hesby, who in 1915 was "Miss Liberty" at the Panama-Pacific International Exposition in San Francisco. They honeymooned in a cabin six miles (10 km) south of Garberville in the redwood forest of Humboldt County, California. (SOURCE: Wikipedia)

The last incarnation of the Hartsook Inn is still standing and I stayed there a few times. It was a lovely place with nice little cabins. It’s been vacant for a long time and whenever I drive by I feel a little sad. It’s along a busy two lane section of Hwy 101. I imagine someday the road will be moved, changed into a 6 lane freeway, and bypass the Hartsook. It will be forgotten, just as Edward may be forgotten.

To see images of the Hartsook Inn click here to visit CardCow.

Click here to read a newspaper article about the Hartsook Inn in 1949.

Click here to read a nice blog post at Ernie's Place about the Inn.
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Tattered and Lost volumes 1 to 9 available at Amazon.

Amos Wood, J. J. Reilly, Enno Nesemann, and THE UNKNOWN WOMAN AT WOOD'S GALLERY

Sometimes trying to research an old photo can be simply mind-numbing. When searching for a photographer I hope to find a nicely written page where someone else has done the leg work; that rarely happens. Sometimes I find a few other shots credited to the photographer; too often I find nothing.

In the case of this photo I actually found quite a bit of information about the different photographers who owned the gallery/studio. I only found one other photo with the same Wood’s imprint as shown above, which is available here on eBay.

I cannot really be sure as to when this shot of the woman was taken, thus I cannot be sure who the photographer was. Yes, the obvious would be to say someone with the name “Wood” was the photographer, and perhaps that’s true, but I found at least three people who owned this studio/gallery. Perhaps if I’d continued I’d have found even more.

The first owner of the studio I find was Amos Wood, who was originally from Massachusetts. I’m finding dating his ownership to be confusing. In this document it states he was the owner from 1870-79. However, the border we see on this photo should date it from the 1860s. I also found a reference in information about the second owner claiming the name “Wood’s Gallery” had been in Marysville since 1860.


The second owner, who bought it from Wood in 1878 or 1879, was John James Reilly, who by far is the most memorable of the three I researched. Before purchasing the studio, Reilly’s work, his stereographs, were marketed by Amos Wood.

J. J. Reilly was a young Scottish emigrant in search of a new life when he arrived in California in 1856. After serving as a volunteer in the Union Army, he became a naturalized American citizen in 1866. (SOURCE: National Stereoscopic Association)

In 1870 or ’71 he traveled from New York to California, where he remained for the rest of his life. A friend of John Muir, he lived and worked in Yosemite Valley for seven summers (1870-76).

In July of 1878 Reilly had moved from San Francisco to Marysville, where he established himself as a portrait and landscape photographer.

He ran an advertisement in one of the local Marysville papers which touted:

...his many years of experience in posing sitters, his chiaroscuro lighting effects (the so-called “Rembrandt effect”), “the latest style” (bust portraits in three-quarter profile), correct exposures with shadow detail, great skill in retouching eyes and in hand-tinting lips and cheeks, and "a picture that never fades…Fine works is done in Woods Photo Gallery, Odd Fellows Bldg. Marysville by J. J. Reilly, inventor of the new magic process for making the baby’s pictures in from one to two seconds." (SOURCE: National Stereoscopic Association)

Reilly retained the gallery name, which local residents had associated with the business since 1860. He was also retained by the city of Marysville to take mug shots of local prisoners.

In 1886:

Reilly abandoned his second wife and his life’s work in Marysville. His master set of stereo negatives—a d of work twenty years in the making—was acquired by Enno Nesemann, the proprietor at Woods Gallery for the next fourteen years. Like his predecessors in the small, country town, Nesemann earned a lving by taking “dogtypes” and “mug shots”, and by marketing views to a regional audience. (SOURCE: National Stereoscopic Association)

In 1890 J. J. Reilly was listed as an “artist” at 313 Stockton Street in San Francisco.

In 1891 he wrote a letter of inquiry to C. W. J. Johnson, a portrait photographer in Monterey, about a job running Johnson’s gallery:

“Have you found a man yet to run your gallery for the summer? If not, I think I would try it, provided the place would pay anything above living expenses. I have been in the business for 25 year, but always for myself till lately.

Here is a photo Reilly took of the Del Monte Hotel in Monterey.

In 1893 he ran a gallery in Eureka, California called The New York Photograph Gallery with a partner named Evans. They remained in Eureka for three months.

Sadly, Reilly’s life did not end well. In 1894, back in San Francisco, he was boarding at the Pioneer House, on the corner of Fourth and Mission Streets.

He had already exhausted his disability pension. He was out of work and running out of money. Infirmed and despondent, he wrote the following suicide note:

This is to certify that I, J. J. Reilly, am tired of this life and so close up my accounts with all humanity on this earth. My reasons for doing so are: First, I am 55 years old: I have been disabled in the War of the Rebellion. Second, I am out of money and can find no work, so life to me is not worth living for. What are the few days, weeks, months or years which might be ahead of me? I am no good to any one, neither to myself, and why should I allow myself to suffer and go hungry? No, I wll never do it. And as I see the country is in a very bad condition, and the Government is rotten, and it is only bloodshed that will purify it. (SOURCE: National Stereoscopic Association)

On June 27th of 1894 Reilly, in his room at the Pioneer House, locked his door, and shut the window. He extinguished his lamp then turned the gas on full “and went to bed to die.”

On June 28th he was found by a chambermaid. He was rushed to the hospital where he succumbed to the effects of carbon monoxide asphyxiation on June 30th. His body, as requested by Reilly, was given to the Dr. Toldan Medical College for study because “I am afflicted with liver and other troubles, which may be of use to the medical men.”

Reilly was survived by two ex-wives and a son from his first marriage. A trunk filled with personal effects was shipped to his son. His work survives today as stereographs collectors covet.

There is much more to read about J. J. Reilly, and Enno Nesemann, here, including a photo of Reilly with his second wife, Jennie.


The third owner of Wood’s Gallery, as I mentioned above, who bought it from J. J. Reilly, was Enno Nesemann.

Enno was born in 1861 in Marysville, California and died in 1949 in Berkeley, California.

In 1866 Enno, age 5, sailed from Bremen, Germany to New York aboard the SS Bremen. He sailed with his father, Diedr, age 37, a baker; his mother, Lisette, age 30; and his sister, Elise, age 6. They are listed as residents of San Francisco. No information is given as to the reason for this trip. (SOURCE: Immigrants Ships)

Enno Nesemann operated Woods Gallery in the Odd Fellows Building, located at the corner of Third and D Street, in Marysville, California from 1883-1900

Nesemann appears to have acquired many of Reilly’s work since he continued to reproduce Reilly’s stereographic images.

Click here to see a stereograph of a giant redwood in Mariposa Grove taken by Nesemann and here to see a photo of Denny Hall at the University of Washington around 1890.

You can see a painting he did of the Golden Gate, not the bridge, but the opening from the ocean into the San Francisco Bay, here.

Nesemann was also known for creating humorous stereographs.

(SOURCE: Taylor Francis Online)

Click here to see one of Nesemann's humorous images in the Library of Congress.


Sadly, after all of this, I have no information about the woman in this portrait other than that it was taken in Marysville, California. To read about the history of Marysville, California click here. One of the men listed above interacted with this woman. She will remain a complete mystery.

Edward in 1920 and FRED HARTSOOK

These images came from my friend Bert’s collection. I don’t know where he found them, but I think they’re quite a nice find.

This is Edward in 1920. That's all I know about this young man. This lock of hair was tucked in with the two photos. I have not found anything online about the Nelson Studio in Santa Rosa, California.


Click on image to see it larger.

This second photo was taken at a Hartsook studio.



Click on either image to see it larger.

The following information about the photographer Fred Hartsook is from Wikipedia.

Fred Hartsook (26 October 1876 – 30 September 1930) was an American photographer and owner of a California studio chain described as "the largest photographic business in the world" at the time,[1] who counted Henry Ford, Charles Lindbergh, Mary Pickford, and sitting President Woodrow Wilson among his celebrity clients. He later became the owner of the Hartsook Inn, a resort in Humboldt County, and two ranches in Southern California on which he reared prized Holstein cattle. Hartsook was married to Bess Hesby, queen of the San Francisco Pan-Pacific Exposition of 1915.

Fred Hartsook was born on 26 October 1876 in Marion, Indiana to John Hartsook and Abbie, née Gorham. He was born into a family of photographers and studio owners, his father and two uncles were all successful in the business and his grandfather had been the first photographer to open a studio in Virginia. According to a 1921 profile by John S. McGroarty, "the first Hartsooks [took] up the profession when it was in the infancy of development with the old daguerrotype and the first wet plate processes."

After graduating from high school at age sixteen Hartsook was apprenticed by his uncle as a civil engineer, but spent most of his time in his father's studio. He moved to Salt Lake City, Utah and married Florence Newcomb, 12 September 1901. Flossie came from a family of photographers. She operated her own studio in Vernal, Utah in 1906. Flossie served as Fred's assistant for their traveling photographic studio throughout the Utah territory. They had one daughter; Frances born 25 June 1902. Fred and family then set out to establish themselves in California, arriving sometime after 1906. Initially, Hartsook operated as an "itinerant shutterbug, [wandering] all over the state, his team of mules pulling a homemade darkroom." Later he opened two studios, in Santa Ana and Santa Barbara, but eventually closed them in order to open a studio on 636 South Broadway in Los Angeles.

Hartsook's success as a photographer and studio owner allowed him to expand into other cities along the Pacific Coast, including San Francisco and Oakland. In 1921, McGroarty gives the number of studios as 20 and describes it as the "largest photographic business in the world". Bill Robertson, director of the Los Angeles Bureau of Street Services, cited by KPCC in 2009, mentions 30 studios.

Even if the bulk of the business came from everyday studio portraiture, Hartsook gained prominence through his celebrity clients, which included silent era Hollywood actors such as Mary Pickford, Lillian Gish, and Carlyle Blackwell, other celebrities such as pilot Charles Lindbergh, entrepreneur Henry Ford, and opera singer Geraldine Farrar, and politicians like House leaders Champ Clark and Joseph Gurney Cannon. McGroarty describes a 40-minute sitting with President Woodrow Wilson in September 1919 as "the first formal sitting since Mr. Wilson became president." Also in 1919, Fred Hartsook married Bess Hesby, who in 1915 was "Miss Liberty" at the Panama-Pacific International Exposition in San Francisco. They honeymooned in a cabin six miles (10 km) south of Garberville in the redwood forest of Humboldt County, California. (SOURCE: Wikipedia)

The last incarnation of the Hartsook Inn is still standing and I stayed there a few times. It was a lovely place with nice little cabins. It’s been vacant for a long time and whenever I drive by I feel a little sad. It’s along a busy two lane section of Hwy 101. I imagine someday the road will be moved, changed into a 6 lane freeway, and bypass the Hartsook. It will be forgotten, just as Edward may be forgotten.

To see images of the Hartsook Inn click here to visit CardCow.

Click here to read a newspaper article about the Hartsook Inn in 1949.

Click here to read a nice blog post at Ernie's Place about the Inn.

The Little Girl at AUSTIN STUDIOS

I have no information about this adorable little girl. No name is written on the folder. The only information is the name of the photo studio, Austin Studios, which, from what I've been able to glean, was in Los Angeles. This was in one of the boxes Bert gave me the other day. You can't imagine what I've been looking through for the past few days. I'm a very happy collector.

Click on image to see it larger.

As soon as I saw this photo I was reminded of Baby Snooks, a character created and played by the late Fanny Brice. I think it's because of the dress.

The Baby Snooks Show was an American radio program starring comedienne and Ziegfeld Follies alumna Fanny Brice as a mischievous young girl who was 40 years younger than the actress who played her when she first went on the air. The series began on CBS September 17, 1944, airing on Sunday evenings at 6:30pm as Post Toasties Time (for sponsor General Foods). The title soon changed to The Baby Snooks Show, and the series was sometimes called Baby Snooks and Daddy. (SOURCE: Wikiepdia)

There was even a Baby Snooks paperdoll. If you find one expect to pay $100 or more. I can only wish I had one in my collection

GEORGE STECKEL, photographer, and MINNIE CHOPIN DUNNING, dancer?

These photos come from Bert's wonderful collection of vintage photos and are my submission for this weeks Sepia Saturday.

Click on any image to see it larger. Believe me, it's worth it.

I have virtually no information about these shots other than some meager info about the photographer, George Steckel. At first I thought the name was Steekel looking at the rather confusing calligraphy. I have not found any biographical information about Steckel, but did discover the following at Google Books, Pacific Coast Photographer, Volume 2 published in February 1893:

As you can see from the back of the mounting boards, Steckel was the recipient of a lot of awards and honors. As to when these actual photos were taken there is no information given.

The few links for Steckel are to collections which contain some of his images, some of "famous" people such as this opera star in 1910, Claudia Albright. And here is a link to a woman, Mrs. Bob Kammey, in a stunning dress.

It seems strange that there is nothing substantial online about this man who won so many awards. I imagine he is referenced in many books that have yet to make it online. If anyone has any information or links to information I'd appreciate your update.

As to the subject of the photographs, well there is the real mystery. The name of the one lovely young girl on the left in the horizontal photo is Minnie Chopin Dunning. That's certainly a hard name to live up to. They appear to be a dance troupe, though the guys could just as easily be members of a circus in those costumes. Lion tamers? Master of ceremonies?

It's a shame nothing is available about this troupe. I put them out here on the net hoping someone someday finds them and sends along information about the lovely Miss Dunning and friends.

UPDATE: Thanks to a reader I now have some biographical information about George Steckel. Thank you Meri!

George Steckel was born about 1865 in Pennsylvania. He was married at least twice. I haven't learned the name of Wife 1, but they had a son John Henderson Steckel who died in infancy January 21, 1901. 



Wife 2 was named Evangeline. Evangeline's maiden name may have been Buck, as there was an obit for Florence Jane Buck, mother of Mrs. George Steckel, in L.A. in 1912. George and Evangeline were married in about 1905-06. She was born about 1875 in Illinois. By 1910, they had a son George Steckel, Jr. He was killed in an accident in Yellowstone in 1933 -- apparently with a friend because there was a similarly worded accidental death obit for another young man who died in Yellowstone on the same day Steckel, Jr's obit ran. Evangeline and George also had a daughter Margaret about 3 years after George, Jr. was born.

George himself appears to have died September 22, 1938 in Covina, California. No cause of death was listed in the obit.

UPDATE: Thanks to reader Mark I can now add this additional information. Thanks Mark!

Edward Weston worked in Steckel's studio around 1908-09 before moving on.
It'd be interesting to see images from this studio around that time frame to see if any were Weston's work. 

I agree with Mark that it would be fascinating to see more about Weston's work with Steckel.