Do you remember VILLAGE OF THE DAMNED?

I remember seeing the preview for Village of the Damned at a drive-in when I was a kid. There I was in the backseat of my folks car in my pjs, trying to stay awake, longing for the trip to the snack bar for the milkshake-in-a-can, when huge glowing eyes appeared on the screen; they were the children in the Village of the Damned. I never saw the movie, but I had nightmares about those kids and those eyes for years. Which brings me to Keane paintings.

As a kid in Hawaii we had a family friend who was a sculptor and he used to take us to different art gallery shows. I have no idea why we ended up at a showing of Keane paintings, but I remember them. Oh boy, do I remember them. Even as a kid I knew what I was looking at was dreadful. I've often thought that we must have gone there as a joke, but the only other person alive who was there with me has no memory of it. For some reason really bad art sticks in my brain, vividly. It's like the time I ended up in a gallery in Carmel of Thomas Kinkade paintings and after a few moments I headed for the door hoping to never see another one of his pieces. Boy was I wrong on both accounts. The public took a liking to Keane and Kinkade. Hucksters, both of them. The images of both have been plastered on everything, everywhere. Sometimes it's like living in the Village of the Damned when you can't find a way to escape all the commercialized schlock.

So here we have two kids standing amongst the posies looking like they'd rather be anywhere than where they are. Subjects for a Keane painting? Living inside the world of a Kinkade painting? Or just kids from the Village of the Damned?

She's just SO DOGGONE HAPPY!

Was it the new hat? Was it the surprise of the flash? Was there someone outside the booth telling jokes? Or did she just want a really nice picture to send her sweetheart?



Whatever was going on THIS WOMAN WAS REALLY HAPPYI! Sadly her happiness was sold for 25 cents. I couldn't resist her when I found her smiling up at me in the bin of useless pose for grandma shots.

I hope she brings a smile to you on this Monday morning.
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The LADY WITH THE CHRSANTHEMUM

"Lady, I'm tellin' ya, a hundred years from now they'll still be talkin' about you and that there chrysanthemum. Take my woid for it."

"Well, okay, but I'd preferred something a little more cheerful. I mean, won't people be wondering why I'm staring at this flower?"

"Nah. They'll love it. I'm tellin' ya, they'll love it. They'll think youse was some kind of botanist."

GARDENING amongst the dead

I just did a Google search for two words most of you have probably not bothered to search: garden cemetery. There are, as of this date, 17,400 entries that show up. And why did I do this search? Because this weeks Sepia Saturday theme, as I interpret it, is about gardens. See how easy it is to connect the dots?

I do have photos of people standing in home gardens posing and smiling. I think getting your photo taken in a garden is almost mandatory; we’ve all done it. But how many have posed at gravesites in cemeteries with “garden” in their name?

I think putting the word “garden” and “cemetery” together is a marketing tool. It sounds better to think of friends and family in a garden rather than say…Boot Hill.

When I was in art college I had a watercolor teacher who sent us to a local grand cemetery to paint. We were in a garden, a garden that just happened to be full of dead people with a beautiful view of the San Francisco Bay. The class scattered all over the grounds. My friend and I positioned ourselves in front of a row of mausoleums that housed the remains of some of the most important people to have ever walked the streets of San Francisco. I had a Coca-Cola bottle that I kept filled with water as I painted. There was a faucet nearby where I could refill it.

In the beginning, as we quietly painted, it didn’t bother us to be sitting in the middle of the historical dead, but then we noticed ants. A trail of ants seemed to be coming from one of the mausoleums and then pass right between us, around my Coca-Cola bottle, and on down the hill. Suddenly the place got a little creepy. Where had these ants been? It started to freak us out just ever so slightly. We went back to staring at the view, then looking at the ants, then back to the view, etc. We’d stopped talking. It wasn’t a garden anymore, it was a place full of dead people with ants. And then I felt the tap on my shoulder and about jumped out of my skin. I let out the scream first which was quickly echoed by my friend. No, it wasn’t one of the historic founders of San Francisco tapping on my shoulder telling me I was blocking their view of the Bay. It was the teacher. He seemed to really enjoy our reaction.

I went back to that cemetery many more times to paint. It is a beautiful place with a gorgeous view that just happens to be full of the dead, including a close family friend. It’s where Eleanor is. Eleanor is forever in the garden.

I have no idea who these people are. They're in a garden. And isn't it sad to think that for some the only time in their lives they are sent flowers is after they're dead.